The Power of the Dog (2021) | Directed by Jane Campion

5/5
Jane Campion’s The Power of the Dog is a haunting study of loneliness and the yearning for connection, as well as the ways that this isolation can lead us into increasingly destructive behavior – either toward ourselves or others. Each of the film’s four leads is touched by this loneliness in some way, each lost in the vastness of the landscape and haunted by the menacing, discordant score. And while each of these characters choose to address their loneliness and isolation in different ways, each of their flailing attempts at connection contributes to the film’s chilling tragedy. All of the performances are outstanding here, each perfectly calibrated to play off of each other’s strengths. The naturalistic cinematography is glorious – capturing the natural world that Phil loves so well, while the shadows hide and allow everyone else to be oblivious to his secrets. In the hands of a lesser storyteller, Rose’s narrative would be incidental to Phil’s story, but in Campion’s hands, we’re given so much of her perspective in the film’s early chapters, enabling us have empathy for her plight. This is a rich, beautiful, haunting, and heartbreaking film in equal measure.

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Summertime (2020) | Directed by Carlos López Estrada

5/5
Carlos López Estrada’s Summertime is a glorious film – a vibrant, joyous, and energetic ode to art, creativity, and that earnest sincerity and passion for justice and equity that seems to define young people in their late teens and early twenties. Even though the film is comprised of a series of vignettes anchored by spoken word poetry, it’s astonishing to see how effortlessly the sequences weave in and out of one another, how narrative through lines emerge, and how perfectly certain beats and moments echo one another throughout the film. López Estrada shoots and edits the film with as much energy and life as the poetry (and the city) that he’s capturing, and all of the first-time film actors are stunning – not just in performing their own work onscreen, but also in building and performing the characters they present within the film. This is one of the most delightful and moving films of the year – a film that begins with isolation and loneliness, and ends with a true sense of community and connectedness.

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